Tipo
Capítulo em Livro
Título
Gothic-Romantic Ecocentric Landscapes in Lars von Trier’s Melancholia
Participantes na publicação
Graça P. Corrêa (Author)
Dep. História e Filosofia das Ciências
CFCUL
Resumo
A sense of impending global catastrophe and a critique of anthropocentric progress mark Lars Von Trier latest film, Melancholia (2011). At the light of Gothic-Romantic theory and aesthetics, as well as of recent ecocritical approaches to film, this paper explores the spatial settings and sensory landscapes of von Trier’s work. The feeling of melancholy was\\nparticularly present in Gothic-Romantic literature, fine arts, music, and philosophy. Originating as a reflection on the inadequacy of logical and discursive knowledge in a larger-than-human world, melancholy fuses the experience of a heightened self-consciousness with the quality of a pessimistic gloomy feeling. Gothic-Romantic aspects of Melancholia’s cinematic landscapes include its settings (a castle with vast surrounding gardens); the use of the motif of the double in its characterization (two sisters: one light, one dark); its hyper-subjectivity, apparent not only in the unsteady handheld camerawork but also in the overstated quality of its sound; its manifestly Romantic soundtrack (Wagner’s overture of Tristan und Isolde); its melodramatic structure; its Pre-Raphaelite visual tableaux; its dystopian depiction of civilizational collapse in the intimate scope of family relationships; and its suggestion of the sublime (contradictory emotions of pleasure and fear) through supernatural phenomena. By invoking a Gothic-Romantic aesthetics, Melancholia equally summons its pessimistic (albeit vitalist) philosophy, exposing the limitations of an anthropocentric civilization and the fragility of its normative human bonds.
Editor
Edições Cine-Clube
Suporte
Avanca Cinema 2012 International Conference
Identificadores da Publicação
ISBN - 9789899685826
Local
Avanca, Portugal
Edição
Edições Cine-Clube
Página Inicial
180
Página Final
197
Identificadores do Documento
ISBN - 978-989-96858-2-6
Keywords
Ecocentric Landscapes
Ecocriticism
Julia Kristeva
Neo-Platonism
Philosophy in Film