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Publication details

Document type
Book chapters


Title
Landscapes of Dictatorship in Film: Three Aesthetic and Emotional Modes

Participants in the publication
Graça P. Corrêa (Author)
Dep. História e Filosofia das Ciências
CFCUL

Summary
Drawing on philosophy in film and emotional engagement theory, this article compares three different sensory landscapes of dictatorship in film: Fritz Lang’s The Testament of Dr. Mabuse (1933), Guillermo del Toro’s The Devil’s Backbone (2001), and Luis Llosa’s The Feast of the Goat (2005). Although the three films deploy diverse aesthetic modes—Expressionism-Noir (Lang), Psychological-Realism (Llosa), and Gothic (del Toro)—they mutually reveal the existence of an ethics of resistance and insurgency during historical periods of oppressive rule.

Editor(s)
Denize Araújo, Eduardo Morettin, Vitor Reia-Baptista

Date of Publication
2016

Where published
Ditaduras Revisitadas: cartografias, memórias e representações audiovisuais

Publication Identifiers
ISBN - 9789898859013

Address
Faro, Portugal

Publisher
CIAC

Edition
Denise Araújo

Number of pages
23
Starting page
498
Last page
521

Document Identifiers
ISBN - 9789898859013

Keywords
Emotional theory in film Aesthetic modes in film Philosophy in film Art and Science Gilles Deleuze Félix Guattari

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APA
Graça P. Corrêa, (2016). Landscapes of Dictatorship in Film: Three Aesthetic and Emotional Modes. Ditaduras Revisitadas: cartografias, memórias e representações audiovisuais, 498-521

IEEE
Graça P. Corrêa, "Landscapes of Dictatorship in Film: Three Aesthetic and Emotional Modes" in Ditaduras Revisitadas: cartografias, memórias e representações audiovisuais, 2016, pp. 498-521

BIBTEX
@incollection{44392, author = {Graça P. Corrêa}, title = {Landscapes of Dictatorship in Film: Three Aesthetic and Emotional Modes}, booktitle = {Ditaduras Revisitadas: cartografias, memórias e representações audiovisuais}, year = 2016, pages = {498-521}, address = {Faro, Portugal}, publisher = {CIAC} }