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Detalhes Referência

Tipo
Artigos em Revista

Tipo de Documento
Artigo Completo

Título
Ecocritical translation in Christopher Hampton’s Savages

Participantes na publicação
GRAÇA P. CORRÊA (Author)
Dep. História e Filosofia das Ciências
CFCUL

Resumo
In the last decade theatre criticism witnessed a development in space studies that helped transform ‘landscape theory’ into a research area. The fact that any translational process involves interpretation and adaptation from a viewpoint, and that theory implies a situational perspective, elicits reflections on these two interactive concepts. This article reflects upon related theoretical models and methodologies—ecocriticism, spatial theory, phenomenology, Walter Benjamin’s concept of reading between the lines—in parallel with the actual translation of Christopher Hampton’s Savages (1973) into a Portuguese playtext/performance text produced at Lisbon’s Centro Cultural de Belém in 2003.

Data de Publicação
2011-12-14

Instituição
FACULDADE DE CIÊNCIAS DA UNIVERSIDADE DE LISBOA

Suporte
Journal of Adaptation in Film & Performance

Identificadores da Publicação
ISSN - 1753-6421,1753-643X

Local
Bristol, UK

Editora
Intellect

Volume
4
Fascículo
3

Número de Páginas
12
Página Inicial
275
Página Final
287

Identificadores do Documento
DOI - https://doi.org/10.1386/jafp.4.3.275_1
URL - http://dx.doi.org/10.1386/jafp.4.3.275_1

Keywords
spatial translation landscape theory phenomenology ecocriticism Water Benjamin


Exportar referência

APA
GRAÇA P. CORRÊA, (2011). Ecocritical translation in Christopher Hampton’s Savages. Journal of Adaptation in Film & Performance, 4, 275-287. ISSN 1753-6421,1753-643X. eISSN . http://dx.doi.org/10.1386/jafp.4.3.275_1

IEEE
GRAÇA P. CORRÊA, "Ecocritical translation in Christopher Hampton’s Savages" in Journal of Adaptation in Film & Performance, vol. 4, pp. 275-287, 2011. 10.1386/jafp.4.3.275_1

BIBTEX
@article{44384, author = {GRAÇA P. CORRÊA}, title = {Ecocritical translation in Christopher Hampton’s Savages}, journal = {Journal of Adaptation in Film & Performance}, year = 2011, pages = {275-287}, volume = 4 }